Tag Archives: 1913 Massacre

1913 Massacre — October Broadcast and November Streaming

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1913 Massacre, the documentary film I made with Ken Ross about the Italian Hall disaster, will air on WNMU-TV (Marquette, Michigan) at 9PM on Friday, October 30, as part of the Beaumier Heritage Documentary Series.

Then, for the whole month of November, everyone can stream the film from the WNMU-TV site. The film will also be available through the PBS Passport app.

The WNMU site links to this 2013 review by Bill Meyer in People’s World.

Seamless editing, engrossing interviews and a stirring well-integrated music soundtrack make the film flow like long lost friends catching up on history. Arlo makes the point early on that it was folk songs where people learned about working class history, such as this tragic event, that may have been forgotten to the world otherwise. This movie could be called a “folk movie” as it tells the story in the same dramatic and powerful manner. It joins the ranks of great progressive movies based on famous songs, that include Strange Fruit, about the song about lynchings written by Abel Meeropol and made famous by Billie Holliday, Alice’s Restaurant based on Arlo’s famous song, and Bill Moyer’s Amazing Grace, a probing study of the history of the classic hymn.

After the WNMU run, Ken and I plan to arrange online streaming through Vimeo and possibly Amazon Prime.

Save the Wild UP December Gala Keynote Address

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This is the text I prepared for my remarks at the Save The Wild UP December Gala. My talk deals with the ethics of Lake Superior mining, connecting it with climate change, the loss of the wild and the dawn of the Anthropocene. It’s also a reflection on human ingenuity and human responsibility. The half-hour keynote makes for a long blog post, but I hope readers will find something here worth sharing and discussing.  

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When you invited me to speak tonight, I tried almost immediately to come up with names of people who might be better suited to the task. In this crowd, I ought to be listening and trying to catch up.

I’m an outsider, and a latecomer to boot. Some of you were here when Kennecott and Rio Tinto first staked their claim to the Yellow Dog Plains. I didn’t fully appreciate the extent of the new mining activity in this area and all around Lake Superior until about 2012. That was right after Ken Ross and I had finished making 1913 Massacre, our documentary about the Italian Hall disaster.

I was so caught up in the story our film tells that I was under the impression that copper mining — sulfide mining — was a thing of the past in the Upper Peninsula.

Very near the end of 1913 Massacre, there’s an interview with an Army veteran who’s sitting at the counter of the Evergreen Diner, drinking a coffee and smoking a cigarette. He says that after the copper mines closed in 1968, attempts to re-open them failed because people were “bitching about the environment and all that shit and the water and the runoff.” The camera, meanwhile, is exploring the industrial damage left behind by the mining operation.

This is the one moment in the film where we had to bleep out some bad language before Minnesota Public Television would air 1913 Massacre on Labor Day in 2013. The only time anyone in our film curses is when the subject turns to protecting the water and the environment.

That these two things — a destroyed, toxic landscape and a hostility toward people who care about the environment — exist side by side; that people can watch a mining company leave a place in ruins, poison its waters, damage it to the point that it’s now a Superfund site, with high levels of stomach cancer and fish that can’t be eaten, and direct their anger and curses at people trying to prevent it from happening again: our film presents all that as part of what we’ve come to call “mining’s toxic legacy.”

The Army veteran went on to say — this part didn’t make it into the film — that people who bitch about the environment are “people from out of town.” He wasn’t complaining about environmental regulation or about big government; he was complaining instead about out-of-towners, strangers who make it tough for regular guys to make a living.

Strangers can be people from faraway, or just people from whom you feel estranged: people who don’t share your ways or speak your language; and it would be possible to talk at some length about the way the mining operations in the Keweenaw estranged people from each other and from the place they live.

Everywhere it goes, it seems, mining divides and displaces people. It’s never just about extracting ore from the ground. Mining is development and the power to direct it.

When strangers come to town or when people feel estranged, we need translators, guides and mediators. This is one reason why it’s so important to have a local, grassroots organization dedicated to the shared interests people have in the nature and culture of the Upper Peninsula.

You might look like the underdog right now. But I think you’ll agree that there’s a pressing need for a more responsible, inclusive and respectful conversation about development in this place. Save the Wild UP is in a great position to lead it.

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Back home in Brooklyn, I have a fig tree. I planted it last spring. I just finished wrapping it for the winter. I love the work the fig tree involves — the care it involves — because it connects me to the memory of my grandfather and the fig tree he kept. My tree connects me to my family tree (my roots), to history, and in my imagination the tree belongs as much to history as it does to nature. The life of my tree depends almost entirely on my care. I sometimes wonder if there is anything wild about it.

There is a wild fig. The ancient Greeks even had a special word for it: φήληξ. They seem to have derived its name from another word (φῆλος) meaning “deceitful,” because the wild fig seemed ripe when it was not really so. The ancient world knew that wildness is tricky. It can deceive and elude us, or challenge our powers of discernment.

Nature, we claim, is our dominion, as if it (naturally, somehow) belonged to history, the world of human activity. Our economy organizes nature to produce natural resources. But the wild represents a living world apart from history and another order of value altogether.

We can’t assimilate the wild into an engineered and technical environment: it will cease to be wild the instant we try. The wild begins where engineering and ingenuity stop, at the limits of human authority and command. So “wild” is sometimes used to mean beyond the reach of authority, out of control.

But what’s wild is not alien. Sometimes the wild calls out to us, usually to ward us off. The wild is almost always in flight from us, leaving tracks and traces for us to read. It always responds to us, as wild rice and stoneflies respond to the slightest change in water quality, offering guidance if we are attentive and humble enough to take it.

The wild marks the limits of our powers, our ingenuity and ambition, and before it we ought to go gently.

We have not.

The headlines tell us that our carbon-intensive civilization, which brought us so many material advantages, is now hastening its own demise. We are entering an entirely new era of human life on earth. Some scientists and philosophers talk about the end of the Holocene and the beginning of the Anthropocene — the dawn of a new geological epoch of our making.

The story beneath the headlines is a record of loss. A map of the terrestrial biosphere shows that today only a quarter remains “wild” — that is, “without human settlements or substantial land use” — and even less is in a semi-natural state. Data from the Mauna Loa Observatory tell us that this year was the last time “anyone now alive on planet Earth will ever see” CO2 concentrations lower than 400 parts per million. Those levels started rising in the 1700s with the industrial revolution, spiked dramatically in the postwar period and have climbed steadily higher. Since 1970, the populations of vertebrate animals have dropped by 52 percent. The same report by the World Wildlife Fund tells us that freshwater animal species have declined by 76 percent since 1970.

That precipitous drop in freshwater species should set off alarm bells, especially here, on the shores of one of the largest freshwater lakes in the world. Since the 1970s, Lake Superior surface-water temperatures have risen and ice cover has dramatically reduced. Walleye can now live in more areas of the lake than ever before. There’s an earlier onset of summer stratification. By mid-century, according to the National Wildlife Federation, Lake Superior may be mostly ice-free in a typical winter.

Now I know it’s the holiday season and these aren’t exactly tidings of comfort and joy, but they are tidings all the same. And what they announce is this: we are responsible. We’re responsible for all this destruction of the wild — of the whole web of life — and for the changes sweeping over us. Denial will not let us off the hook.

Responsibility is not just about being held accountable for the damage you’ve done; it’s also about taking steps to limit damage, repair the broken world, reclaim it and make things better. We have that responsibility to ourselves and to future generations.

“Loss belongs to history,” writes the political philosopher Sheldon Wolin, “while politics and life are about what is still to be done.” But, he’s careful to remind us, loss still has a strong claim on the way we live now and on our future plans. The loss of the wild gives us a new responsibility that should inform our politics and our lives at every turn, direct the investments we make and the activities we sanction, and give rise to new conversations about what to do.

Saving the wild is now bound up, inextricably, with saving the human world — for ourselves and for future generations. We can appreciate in a new way Thoreau’s famous statement: “in wildness is the preservation of the world.”

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Knowing all this, why don’t we act? Why haven’t we acted?

One answer to this question has to do with the word “we,” and our underdeveloped capacity for coordinated, collective action.

Mark Carney, Governor of the Bank of England, suggested another good answer in a speech he gave back in September to a group of insurance industry executives. Not exactly a bunch of tree huggers, but actuaries, people interested in accounting for risks and costs.

Carney talked about the future in terms of horizons, near versus long term. When we focus only on the near term, we don’t account for the true cost of our activities. That’s why for Carney, climate change is a “tragedy of the horizon,” or the tragic consequence of our inability to see and plan and take steps beyond the near term. Since “the catastrophic effects of climate change will be felt beyond our immediate horizons” — beyond the business cycle and the quarterly earnings reports, beyond the political cycle and the current election — we have deferred the cost of fixing the problem to future generations.

We’ve organized things — markets, politics, institutions — so that near-term interests win out over longer-term well-being and more sustainable arrangements.

Nowadays, if you look out at the Lake Superior horizon, you might see all the way to China. An unsustainable scheme of Chinese urbanization and economic growth fueled much of the new mining activity around the lake, and especially the exploration and exploitation of copper-rich deposits. Over the last decade or so, copper was used not just to build and wire new Chinese cities, many of which today stand empty; it was used mainly for collateral on loans. As much as 80 percent of the copper China imported was used to back loans. Today, as China unravels and the price of copper plunges, commodities investors are expressing remorse. Nickel’s down, too. The rush for Lake Superior minerals now seems to have been reckless — part of a larger market failure, with unforeseen risks and costs current and future generations are likely to incur.

Or look at the Polymet project in Minnesota. It’s an exaggerated case of not accounting for the long-term costs of mining. Currently, the Polymet Environmental Impact Statement says that water treatment will go on “indefinitely” at a cost of 3-6 million dollars a year. There is no way, so far as I know, to multiply 3 or 6 million dollars by a factor of indefinitely; and even the company’s most concrete prediction is 500 years of water treatment. Just to put that in perspective, the state of Minnesota has only been around since 1858: 157 years.

How is it possible that a proposal like this can be taken seriously? They promise jobs, a fix to a near-term problem; but there’s something else at work here as well: technology or, rather, misplaced faith in technology and human ingenuity. We make technology a proxy for human responsibility.

But technological advances that create efficiencies or solve problems for mining companies can carry hidden social and environmental costs: for example, a study done after the Mount Polley spill last year concludes that “new technologies, deployed in the absence of robust regulation” have fostered a “disturbing trend of more severe tailings failures.” Recent events in Brazil underline the point.

Great machinery, even full automation, will never amount to responsible stewardship. New technologies can have unintended consequences, distancing us from each other and from our responsibilities. Things corrode, repairs are made or not, entities dissolve, contracts are broken, obligations are forgotten, empires decline and fall, even within definite time horizons.

The industrial development that mining brings distorts horizons in another way. One theme of Tom Power’s research on the economics of the Lake Superior region and on what he calls wilderness economics is that “protecting the quality of the living environment…lays the base for future, diversified economic development.” Over-reliance on mining — and mining that damages or threatens the living environment — hinders economic diversification and makes the economy less resilient. It also requires us to discount the value of water and land it puts at risk, a value that is only going to increase over the long term, as freshwater becomes ever more scarce and as carbon capture afforded by peatlands and forests becomes more critical.

To allow that calculation for the nonce is not to concede that the market value of these wild places is their true value. The living world, creation and generation, is more than a bundle of ecosystem services, a tap and a sink for human activity. That way of thinking won’t save the wild; it is bound to open the door to the very forces that have already destroyed so much of it.

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Let’s not lose sight of the larger point: if you take the long view, looking forward into the future and out across the horizon, protecting the land and water in this region actually looks like a more attractive investment than extracting all the ore from the ground.

That makes the capture of government by mining and extractive industry — from Marquette County to the state and federal levels — all the more troubling and deplorable. It directs investment and development down these risky and unsustainable paths, where short-term interests of multinational corporate actors are paramount and enjoy the full protection of law. The coercive power of the state, which ought to place constraints on corporate actors, is used mainly to benefit them. When things go south, society ends up bearing the cost.

This grassroots effort challenges that whole topsy-turvy arrangement. We have to continue to challenge it, at every opportunity, in every forum, recognizing that the results we’re looking for probably aren’t going to come on a quarterly basis or anytime soon. We have to lengthen our horizons.

At the same time, we have to re-open the conversation about how we are going to organize ourselves in this place, so that what remains of the wild UP can flourish and the people living here can thrive.

It’s imperative, too, that Save the Wild UP stay connected with other groups around the lake facing similar challenges. To take just one example: Kathleen’s recent Op Ed in the Star Tribune about Governor Dayton’s visit to the Eagle Mine. That made a difference to people in Minnesota: it was widely shared and talked about. People connected with it.

I have to believe that there’s power even in these little connections — and in conversation, cooperation and community. There is power where we come together, when we are no longer strangers and no longer estranged from each other. There would be power in an international congress where people from all around Lake Superior gathered to talk about responsible development. This isn’t the power the mining companies and the state can wield; it’s another kind of power, coordinated, collective, non-coercive, one we as a society have not done enough to realize.

We’re going to need that power to meet this current set of challenges.

Now you may have noticed that I keep using the word “we,” and I’m conscious that by including myself here I might be overstepping and intruding. But maybe that’s why I keep coming back to the UP: deep down, I know this is not a faraway or a strange place but a familiar place, where I have a stake in things — where we all have a stake.

The “wild UP” that we are organized to save is not just wilderness, waterfalls, wolves and warblers. It is the stage of humanity’s tragic predicament. It marks a boundary that we cross at our great peril. It can be a vital source of economic and social renewal.

Ultimately, saving the wild UP is about realizing the power and political authority we all have, everyone in this room, people across the UP and around the lake, to govern ourselves and make decisions about the future we want. What do we see on the horizon? What do we want for our children, grandchildren, our great-grandchildren and so on down the line? What do future generations require of us? What do we owe them?

That’s a conversation we need to keep having. And that’s why this organization deserves all the support we can give it, because Save the Wild UP connects us and shows us that we can be both powerful and responsible at the same time.

Thanks for listening so patiently, and thanks again for inviting me to the Gala.

delivered 5 December 2015

Two Upcoming Events In Marquette, Michigan

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SWUP2015Gala

On Saturday, December 5th, I’ll be at Save the Wild UP’s December Gala, where I’ve been invited to give the keynote.

Save the Wild UP is a great local grassroots organization dedicated to preserving and celebrating the nature and the culture of the Upper Peninsula. The people at Save the Wild UP (most of them are volunteers) do the work of educators, naturalists, social scientists, industry watchdogs and field guides all throughout the year, and I hear they throw a great party, too.

If you can’t make it to Steinhaus Market on the 5th, and even if you live far from Marquette or have never been to the Upper Peninsula, check out Save the Wild UP’s website, learn about the critical work they’re doing, and consider making an end-of-year, tax-deductible contribution to support their work.

I’ll post the text of my remarks here after I talk.

On Monday, December 7th, the Peter White Library in Marquette will be screening 1913 Massacre,, the feature length documentary film I made with Ken Ross about the Italian Hall disaster and the Woody Guthrie song it inspired. Part of the library’s DocuMonday series, the screening is free and open to the public. The film starts at 7PM and runs 70 minutes, and I’ll stick around afterwards to take questions, talk and say hi.

Hope to see you there.

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The Political Project of MCRC v. EPA, 1

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First in a Series

oretrucksAAA

Ore trucks from Lundin Mining’s Eagle Mine make their way down the Triple A road.

No Labels

I’ve just gotten around to reading the complaint filed on July 8th in the U.S. District Court for the Western District of Michigan, Northern Division, by the Marquette County Road Commission against the EPA. The complaint alleges that the EPA’s repeated objections to County Road 595 — that the road will threaten and destroy wetlands, streams and protected wildlife in its way — are “arbitrary and capricious” and in violation of Section 404(J) of the Clean Water Act. The Road Commission asks the court to set aside the EPA’s Final Decision against the building of County Road 595, restore Michigan Department of Environmental Quality’s authority to permit the road, and bar the EPA from further interference in the matter.

While it may take the court some time to decide whether MCRC v. EPA has any legal merit, the complaint is written to serve other ends as well: political objectives. The complaint is aligned with efforts in Michigan, Wisconsin and elsewhere, to ease regulations, subvert the legal authority of the EPA and whip up anger against the federal government; and the plaintiffs appear to be connected, through their attorneys, to one of the most powerful Republican party fundraisers and a network of ultra-wealthy political donors.

The MCRC complaint directs ire against a familiar cadre of enemies — environmental “activists,” overreaching federal bureaucrats and the area’s indigenous community; and it pretends to discover a dark conspiracy, in which these groups meet “surreptitiously,” write “sarcastically” about mining interests, and collude to block economic development. In fact, it’s often hard to decide whether the arguments and evidence assembled in this complaint are meant to serve as legal fodder or support political posturing. So I thought I would try to sort through them in a short series of posts on the CR 595 lawsuit.

There is the tiresome pretense throughout the complaint that CR 595 would serve as something other than a haul route from the Eagle Mine to the Humboldt Mill, and that the road will benefit the public as much as the mining company. While the mining company says it is committed to making do with current infrastructure, the public clearly deserves some relief: trucks hauling ore on a makeshift route from Eagle have already been involved in a few scary accidents, and it remains a question whether cars can safely share the same road, especially an icy winter road, with ore trucks trying to beat the clock. People are understandably concerned, too, about big trucks loaded with sulfide ore barreling through the city of Marquette.

The public has another cause for grievance, and it makes for some angry foot stomping in the complaint: the MCRC spent millions to prepare for EPA reviews of the CR 595 application and failed repeatedly to win approval. Both time and money were wasted, the complaint says, not due to incompetence, stubbornness or denial, but because the EPA was never going to give the Road Commission a fair hearing. It’s in this connection that the complaint tries to lay out an “anti-mining” conspiracy between the EPA and environmental activists and the indigenous community in the Great Lakes Basin, and where the arguments become specious and contorted.

In subsequent posts I’ll address some of the ways MCRC v. EPA constructs this anti-mining strawman in order to mount a political offensive; and throughout this series, I’m going to be asking whether the “anti-mining” label correctly characterizes the evidence brought by the MCRC. I think it’s fair to say from the outset that it does not accurately represent the priorities and commitments of people and groups concerned about the construction of CR 595. It’s reductive, and turns road skeptics into industry opponents. To be against this particular haul road — or hold its planners to the letter of the law — is not necessarily to pit yourself against the entire mining industry.

The anti-mining label deliberately confuses haul-road opposition with opposition to the mining industry in order to coerce people into going along with the haul road or risk losing their livelihood, or at least the jobs and economic prosperity promised when mining projects are pitched. The MCRC complaint goes even further: it conflates mining with economic development — or reduces all economic development in the region to mining — and so runs roughshod over the thoughtful arguments of people like Thomas M. Power, who has studied the ways mining can restrict and quash sustainable economic development.

The anti-mining label fences ordinary people in, distorts and exaggerates their legitimate concerns, and does not recognize that people might come to the CR 595 discussion from all different places. Most don’t arrive as members of some anti-industry coalition; they are fishermen, residents, property owners, teachers, hunters, parents, hikers, snowmobilers, birdwatchers, loggers, parishioners, kayakers, merchants, and so on. Some are many of these things all at once.

The label is fundamentally disrespectful: it refuses to meet people on their own terms and fails to ask what any of the people who oppose CR 595 actually stand for. What do they want for the area? What do they value and love? What do they envision for the future? Where do they have shared interests? Where do they have real differences? How can we work together? The anti-mining label forecloses all those questions. Instead, people are divided. The label demands that everybody take one side or the other (and, as I learned in the course of my work on 1913 Massacre, in the Upper Peninsula that demand has deep historical roots in the labor conflicts of the early twentieth century; but, no worries, in this series of posts I’ll try to stay focused on the present).

I have always had trouble with the idea that “anti-” and “pro-” mining positions should govern the way we talk about the environmental regulation of mining. I myself can easily slip into this way of talking. But as I tried to explain in an exchange on this blog with Dan Blondeau of Eagle Mine, that way of thinking impedes and short-circuits important conversations about the ethics of mining. Playing the anti-mining card reduces the questions of whether and how mining can be done responsibly — in this place, by that company, at this time — to mere pro and contra. It’s a dangerous ruse: instead of identifying risks and addressing responsibilities, it generates social conflict.

Can Films Still Make a Difference?

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What filmmaker wouldn’t be pleased with a critic like Joan Gibb Engel? Here’s what she writes about 1913 Massacre.

We were treated to a complex story, excellently told, replete with black and white stills from the period depicting the miners, the strikers, the town, the children, and the hall before it was torn down, and there were colorful scenes from the present of townspeople reflecting on the tragedy and their versions of what really happened. It had mystery, drama, sentiment, dance, and of course, the now-famous song sung in the film by Woody’s son Arlo.

Gibb Engel was in the audience when we showed 1913 Massacre at the Calumet Theatre in October of 2012, and she recalls the event in a paper she contributed to Confronting Ecological and Economic Collapse: Ecological Integrity for Law, Policy and Human Rights. (The book came out last year, but it wasn’t until yesterday that I came across her article, while looking for some notice of the film’s May Day screening in Oslo, Norway.)

It turns out that Gibb Engel comes to bury our film, not to praise it. She offers her experience at the Calumet Theatre as a “dispiriting example of the failure of a film to make a difference.” And it’s not just 1913 Massacre. “I don’t believe a film, even a beautiful one…can do much for us now. We are already too awash in virtual reality depictions of the future, and no generation has had more reason to question their respective validities.”

The question whether a film can still “make a difference” in the world is one I’ve struggled with myself, written about (e.g., here, here and here), and discussed often with friends and colleagues. Gibb Engel arrives at her pessimistic view mainly after viewing and thinking about another film — Journey of the Universe, a big-budget television documentary produced by Mary Eveyln Tucker and Brian Swimme — and then she finds that view reinforced by an exchange she has, or tries to have, with a young man seated next to her at the Calumet Theatre watching our low-budget, independent film.

He was “a local high school student” who had come to the theater that day with his girlfriend, and he “had been playing with his mobile phone prior to the lights going down.” When Ken or I — we usually take turns at this — asked everyone in the audience to please make sure their cell phones were switched off, “he turned it off as requested for the performance.” So far so good! The trouble comes after the film is over, when Gibb Engel

turned to the young man and asked what he thought of it. He answered in a voice completely devoid of colour: ‘it was interesting.’

And on the basis of that exchange, Gibb Engel concludes that 1913 Massacre failed to “make a difference.” What are we to make of this?

It’s worth pointing out from the very start that Gibb Engel seems to have nothing but praise for the film, but her argument in this paper is an exercise in a foregone conclusion: what she really wants to say here — what she in fact says immediately after having dispensed with Journey to the Universe and 1913 Massacre — is that there isn’t

any way forward except to do what GEIG [the Global Ecological Integrity Group: Gibb Engel’s husband, Ron Engel, sits on the executive committee] and its members have tried to do these past twenty years: make a personal connection with some part of the Earth and help others do the same; work for social and ecological justice; fight for people and policies that matter to the Earth’s flourishing; get our hands dirty.

Exactly how this noble or necessary or dirty work is to be accomplished, and why there should be only one way forward, she does not bother to say. There’s also a whole messy argument to untangle here about the possibility of unmediated experience (of nature) and the role of language, story and representation in forging “personal connections” and helping others do the same, working for justice and fighting for policies, etc. that Gibb Engel doesn’t come close to addressing here. I’m not going to press the issue. Instead, I want to go back to the moment where she turns to the young man sitting next to her in the Calumet Theatre and asks him what he thought of 1913 Massacre.

It’s an odd moment to focus on, and I am reluctant to allow Gibb Engel’s account of her exchange with this young man to stand for the audience’s experience of the film. There were plenty of reasons to think that 1913 Massacre did make a real difference to that Calumet audience — maybe even to that local high school kid.  And this isn’t just because I am one of the film’s producers. The house was packed for three screenings; the crowd gave the film successive standing ovations; the whole house laughed and cried and rode the film like a wave. (My diary of the Calumet Screenings is here). Gibb Engel enjoyed herself as well. But she wants to divert our attention from the audience’s experience (“we were treated to a complex story, excellently told”) to the experience of this one young man.

Now having been a young man of high school age, I can tell you that at that time in my life I probably would not have even managed “it was interesting” if asked by a middle-aged woman sitting next to me what I thought of a film. If I had been there with my girlfriend, as he was, I probably would have been even more reticent; or I might have said or done something awkward in an effort to impress my girl, or disentangle myself from the mutual attention of these two women, or get off the witness stand where this lady had put me. In other words, what Gibb Engel fails to consider here is that “it was interesting” was in all likelihood a social cue, meant to nip the conversation in the bud. (Remember when your parents’ friends used to ask you how things were going at school? “Fine.” It’s still a good rule not to trust anyone over 30, at least until you’re 25 or so.)

Even more puzzling is that Gibb Engel takes her cue from this high school student and then puts the failure to connect in a meaningful way on the young man. But surely Gibb Engel has an important part in the little social drama she describes, as the young man’s grown-up antagonist or interlocutor. That’s the position she’s in after watching the film and turning to the young man; maybe it’s fair to say it’s the position the film put her in. These two probably would never have had occasion to address one another were it not for the fact that they happened to be seated next to each other at the Calumet Theatre for a screening of 1913 Massacre.

So, as my friend Marc Tognotti pointed out when I shared the passage from Confronting Ecological and Economic Collapse with him, 1913 Massacre did make at least one “obvious difference” in Gibb Engel’s world: first of all, it prompted Gibb Engel to turn to the cell-phone-wielding young man next to her and ask what he thought of the film. (And before that, it prompted the young man to turn off his cell phone — to take his life offline and participate in a public screening of a film, or at least sit quietly through it.) And when he gave her a cue “devoid of colour,” Gibb Engel by her own account seems to have let the whole thing drop, without adding any color of her own. She could have offered what she herself thought of the film, expressed the appreciation she later put into writing, asked what he meant by interesting, addressed his girlfriend and asked her what she thought, asked them both if they grew up in Calumet and had ever heard the story. And so on: the possibilities for improvisation, new relationship and conversation after the colorless “interesting” cue were many, especially because in Calumet nearly every high school kid has some family connection to the Italian Hall or the mining operations or the Finnish music Oren Tikkanen sings in our film. Gibb Engel didn’t pursue any of those.

What Gibb Engel doesn’t acknowledge here or anywhere in her discussion of 1913 Massacre or Journey of the Universe is that the difference film or any work of art makes is always one that we have to make, among ourselves. Marc puts it this way in an email:

Our tradition with film and with all art is to believe that meaning resides within the art object, or within the mind of the author/artist, etc.  But the meaning of art, if we take a pragmatist perspective anyhow, is actually something that is realized in the public domain, in how the artwork changes the conversation, changes the way in which people coordinate their actions with one another and towards the world, natural and artificial. Once we realize this, we can stop treating art as something for individual consumption, we can stop objectifying meaning in a way that renders us passive observers, and we can begin to take responsibility for creating meaning and creating change.

The work of art is not just the inhuman object that remains when the craftsman puts down his tools; it is the human activity that can begin only after the artwork is brought into the world.

A Reply to Dan Blondeau

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When I sat down to reply to a comment from Dan Blondeau of Eagle Mine on my Mining Renaissance post, I found that I’d written what is, essentially, a new post. So I’m running my reply here instead of in the comments thread.

Here is Dan’s comment:

Louis and others commenting here – is there any way you would support mining anywhere? I highly doubt it. Large, long-life deposits are few and far between now. Smaller projects such as Eagle, Polymet and so on are becoming the typical scale of mining. Instead of just bashing the industry and focusing on events that happened decades ago, perhaps you could take a more positive and collaborative approach to your concerns. Thank you

Here’s my reply:

I take it that by “events that happened decades ago,” you are referring to the story told in my film 1913 Massacre. That story from what you correctly characterize as a bygone era of mining first drew me to the Upper Peninsula, and it would be dishonest or disingenuous to say that it doesn’t still color my thinking. But since completing that project I’ve tried to stay focused on what’s happening in the area now.

At the same time, the unresolved past and the present are not so easily kept apart. For example, the conversation after our screening of 1913 Massacre at the DeVos Art Museum last October went almost directly and without any prompting to the new mining up around Big Bay and across the Peninsula. I believe the film resonates with people in the UP (and in other parts of the country) not just because the immigrant experience it documents is the quintessential American experience, but also because the basic questions it raises are still very much alive today.

That aside, I am not sure why you read me as “bashing the industry” here. My post focused on sloppy and hopelessly compromised journalism. I don’t think of mining as something I would “support” or not support.  It would never occur to me to put it that way, and I’m not for or against mining per se. In some of my posts, especially those on Shefa Siegel’s work, I try to acknowledge mining’s crucial role in what Orwell calls “the metabolism of civilization”; and I’m trying to understand how bigger changes in the commodities markets and the global economic picture are driving the new mining around Lake Superior. But I also think it’s important to appreciate the real risks and the potential cost of copper and nickel mining operations in the Lake Superior watershed, and to question whether it really will create lasting prosperity for the UP or the Lake Superior region. Those are (for me) the big issues the new mining raises, and I think they are issues that any honest conversation about mining (or the development that mining brings) needs to take into account.

As I tried to suggest in my post, Kocazek just ignores them, and I wondered why she didn’t try to take them on – especially since she writes for a publication dedicated to water issues. And not just any publication: Circle of Blue, which was founded by J. Carl Ganter (who served as vice-chairman of the World Economic Forum Global Agenda Council on Water Security) and which has ties to – it is a “non-profit affiliate” of – the prestigious Pacific Institute.

As for taking “a more positive and collaborative approach,” I am all for it, or at least I am all for genuine collaboration. I don’t really know what a “positive…approach” would entail in this case apart from boosterism. As I say, I don’t consider myself a mining booster or a mining basher, but an observer, still (and no doubt always) an outsider, despite my many trips to the UP, exploring a place and trying my best to document what’s happening there. I’m open to having my views challenged and being shown where I am wrong or where there’s a better way to talk about or do things. (And for that reason I appreciate you taking the time to comment here.) I don’t think there can be any collaboration unless each party is willing and able to listen and – this is important – ready to yield to the other. In other words, listening goes beyond making concessions to the other in conversation: it means doing things differently in response to the other’s demands. (This is a theme I’ve been exploring in my posts on The Power of Asking, and one that I come up against over and over again when I write about mining issues.)

Am I often critical of what mining companies are doing in the UP and around Lake Superior? Sure, and I am troubled, as well, by the almost hubristic level of confidence the mining industry places in technology and engineering, even in the face of disasters like the Bingham Canyon collapse; its worrisome record on environmental and human rights issues nearly everywhere in the world mining is done; and the power and distorting influence it exerts on politicians and public debate – in the UP and elsewhere.

I still think there’s plenty of opportunity for collaboration and dialogue. If I did not, I would just call it quits; but giving up on dialogue is tantamount to giving up on people. In the area of human rights, for instance, I believe there’s still opportunity for collaboration around the Ruggie principles (despite the doubts I’ve expressed about them) and – in the Lake Superior region – around the United Nations Declaration on Indigenous Rights. Both frameworks (as well as the work done by the Lake Superior Binational Forum on Responsible Mining in the Lake Superior Basin) are decent places to start enumerating in a serious way the responsibilities and obligations that mining companies have in a region where human rights concerns and freshwater issues are intertwined.

In fact, I think genuine and ongoing collaboration on these efforts is essential, because I don’t think the mining industry can do it alone, or is the appropriate party to set the agenda here.

Time Out of Mind

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I leave tomorrow for Lake Superior. On Thursday the 24th, Ken and I are going to show our film at Michigan Tech, where there’s a conference called Writing Across the Peninsula, and then, on Saturday the 26th, at the DeVos Art Museum in Marquette. I’m going up a little early to do some exploring, traveling north along the western shore of the lake to Palisade Head and then inland (west), through Finland and into the area around Ely, Babbitt and Hoyt Lakes, Minnesota. That’s where Polymet Mining has proposed a huge open pit sulfide mine. It will be my first visit and maybe one of the few chances I get to see the area before the mining begins. After that, it’s never going to be the same. Or at least not in my lifetime — or in the lifetime of anyone alive today.

Polymet recently disclosed in a Preliminary Supplemental Draft Environmental Impact Statement that water runoff from its mine will have to be treated for the next five hundred years — “a minimum of 500 years,” just to meet water quality regulations. The proposal in its current form clearly violates Minnesota Rule 6132.3200, which requires that “the mining area” be “maintenance free” upon closure; but Polymet and its legions of apologists have already found some wiggle room here, arguing that state law allows for “perpetual treatment” as long as enough money is set aside and as long as the company can prove that it’s meeting federal and state water standards. For Polymet, it seems, this is just the start of a negotiation.

The Mining Examiner quotes Frank Ongaro, Executive Director of Mining Minnesota: “There’s no doubt it can be done, that it’s allowed. The concept is sound; the details have to be worked out by the experts.” I honestly don’t know how anyone can say things like this with a straight face. Five-hundred years: the experts just need to work things out. No doubt about it.

When I first heard about the five-hundred year disclosure, I tried to think of a place where mining was done five-hundred years ago: the best I came up with was Cerro Rico in Potosi, Bolivia, where conquistadores set up silver-mining operations in the sixteenth-century. Potosi is now considered one of the most polluted places on earth. Of course, the Spanish crown did not set out the sorts of guarantees that Polymet is willing to set out; but apparently the mining company shares the crown’s illusion that its empire will last forever. Or at least they would like us to think so: they would like us to set aside our doubts and entertain the fantastic idea that they will provide water-treatment facilities for the maintenance of their copper mine for the next five-hundred years.

Mind you, the country’s only been in existence for 237 years, and Minnesota was only admitted to the union in 1858 — 155 years ago. The EPA only started operations in 1970; its workers only just got back on the job yesterday, after being furloughed during the shutdown. Why are we being asked to believe in the perpetuity or even the resilience of the EPA, the Minnesota DNR, or any government institution or form of government? Who can say what’s going to happen fifty years from now, let alone five hundred? Will there be a Minnesota DNR or an EPA in 2063? Will there be a Polymet? Minnesota? How about 2100? 2413? Insofar as history is about holding people to account, this is nothing more than historical fantasy: there’s no guarantee or even promise of accountability when you are talking about five centuries. As Steve Timmer would have it, nobody is going to be around to keep Polymet’s grave clean.

Time out of mind is the phrase this whole proposal conjures for me. The expression comes from English law. “Time out of mind” or “time immemorial” is a time before anyone can remember: a property or holding, a way of passage or a benefit has been enjoyed so long that those who claim it no longer have to prove ownership or their right to it; nobody can remember a time when it wasn’t so. In this case we are being asked to project that far into the future — way past the horizon of what we ordinarily consider the future, way beyond the time anyone can foresee.

Projecting that far into the future, time out of mind, is also a distorting lens. It’s easy when looking that far ahead to overlook what we know will really happen to the area in the near term, just in the course of constructing and operating an open-pit sulfide mine. Mine pollution that lasts for five-hundred years is a huge and terrifying prospect, no doubt, but that dread prospect might also have the weird effect of eclipsing (or normalizing) the more immediate environmental and social consequences of mining and the industrialization mining brings. Water Legacy estimates that the Polymet project will take 6,600 acres of forests out of public ownership, destroy or impair at least 1,500 acres of wetlands and result in 168,000,000 tons of permanent waste rock heaps and 228,000,000 tons of tailings waste. Add to this the haul roads, the mill operations, air and noise pollution, the effects of clear-cutting and deforestation, shifts in population, economic distortion, and so on.

It’s important to pull back, change the lens, and see clearly what’s going to happen, what’s already happening, to the waters and the wilderness areas, the Lake and all life around it, within our lifetime, and what effect our actions now will have for generations to come.

Labor Day, 2013: Will Big Mining Do Better This Time Around?

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On Labor Day, I’ll be in New York City, so I won’t be able to see the television broadcast premiere of 1913 Massacre on Twin Cities Public Television. How many will tune in? How will the broadcast cut of the film look and play on TV? Above all, I wonder, what connections will the Labor Day TV audience draw between 1913 and 2013? My comments here run this holiday weekend on MinnPost.

Many people Ken and I met in mining towns around Lake Superior while filming 1913 Massacre urged us to see the positive contributions the mining companies had made to the region. Some insisted that the Woody Guthrie song that had introduced me to the story of the Italian Hall disaster and brought me to Calumet and the Upper Peninsula in the first place had gotten it all wrong. The greedy bosses, company thugs and violent social strife that Woody sang about in “1913 Massacre” did not fit the story they knew. “We all got along just fine,” they protested.

When the mines were running, the towns thrived. The big department stores downtown were open. The churches (and the bars) were packed to capacity. Everybody worked hard and the work was sometimes dangerous, but on Saturday nights, the streets were jammed and the atmosphere festive. The company put a roof over your head then sold you the house at terms you could manage. The copper bosses built libraries, sidewalks and schools, gave land grants for churches, and even furnished luxuries like bathhouses and public swimming pools. The men who ran the mines weren’t just robber barons from Boston; they were public benefactors.

But there were limits to their benevolence. The mining captains regarded the immigrant workers – Finns, Slavs, Italians — as charges placed in their paternal care. They knew what was best for these new arrivals. They discouraged organizing. Faced with strikes on the Iron Range in 1907 or on the Keweenaw in 1913, they adamantly refused to negotiate, brought in scabs to do the work and Waddell and Pinkerton men to deal (often brutally) with the strikers. Even after the tragic events of 1913, Calumet and Hecla Mining Company would not recognize the union for decades.

The Keweenaw miners were on strike again in 1968 when C & H made a calculated business decision to pull out. No more jobs, pensions cut short; the good times were over. They left the waters poisoned and the landscape littered with industrial wreckage and toxic mine tailings.

The companies driving the new mining boom around Lake Superior these days promise to do better. They are dedicated to corporate social responsibility. They practice “sustainable” mining, tout their environmental stewardship and declare their respect for human rights. They have community outreach programs and promise to make substantial, long-term investments in the economic development of the regions where they come to mine. They work closely – some would say too closely – with regulators to create environmental impact statements and plan for responsible closure of their mines. They are eager to gain social license.

For the most part, these big multinationals operate with the support of organized labor and politicians who want to create jobs — and what politician doesn’t want to do that? But the high-paying, highly-technical mining jobs are unlikely to go to local residents; and the new mining is likely to have detrimental effects on local economies, as the economist Thomas M. Power has shown in studies of Michigan and Minnesota. Mining may provide some short-term jobs, but it can also drive away creative professionals and knowledge workers, destroy entrepreneurial culture, diminish quality of life and damage long-term economic vitality.

So promises of good times and plentiful jobs need to be treated with circumspection. Polymet has repeatedly scaled back its job predictions for its huge, open-pit sulfide mining project near Hoyt Lakes, Minnesota, and the company’s own figures suggest that only 90 of the promised 360 jobs – just 25% — will go to local communities. Local is, moreover, a relative term. Mine workers today tend not to live in mining towns; they will commute an hour or more to work. And hiring will always be subject to swings in metals prices, which are now dependent on two new factors: continued Chinese growth (and urbanization) and the entry of big financial firms into metals warehousing and trading.

There are limits to big mining’s benevolence as well. The last time I flew into Marquette airport, a glossy Rio Tinto poster advertised the company’s commitment to “build, operate and close Eagle Mine responsibly.” Nobody had bothered to take the sign down after Rio Tinto had done an about-face and sold Eagle, a few months earlier, to Vancouver-based Lundin Mining for dimes on the dollar. Rio Tinto’s commitments lasted only until it was time to flip their property. Overnight, Eagle Mine had become a “non-core asset” and the surrounding community none of Rio Tinto’s responsibility.

In Wisconsin, Gogebic Taconite has drawn the line between company and community much more starkly, with help from a paramilitary firm called Bulletproof Securities. Black-masked guards, dressed in camouflage and armed with semi-automatic weapons, protect the mining company’s property from trespassers and environmental protesters. Imagine what they might do in the event of a strike.

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Bulletproof Securities patrols Gogebic Taconite’s property in northern Wisconsin.

Public Television and Public Life – A Note from the Road

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Cross-posted from my blog at 1913 Massacre:

We’ve just completed a short tour of the Upper Peninsula, taking 1913 Massacre from Houghton to Ontonagon to Marquette. After each screening of the film, we take questions and comments from the audience. All sorts of things come up in those conversations. People see themselves or their own town in the Calumet story. They make connections between the past and the present, between what happened in Calumet to what’s happening right now in the UP, in Michigan and all around the country. In Ontonagon, one audience member came away from the film thinking about garment factories in Bangladesh; in Marquette, we talked about courage, resilience and how long it takes communities to recover from social catastrophe, among other things. We learn something new with every conversation.

Though the questions, insights and topics may vary, the thing that most impresses me about all these Q&A sessions — no matter the size of the audience or the setting — is the most easily overlooked: the gathering of the audience and the shared experience of seeing the film, together, creates an opportunity for public conversation.

That’s why I’m always a little thrown when someone raises his hand in one of these public gatherings to ask whether we’ve approached PBS with our film or whether 1913 Massacre will air on public television. There are other versions of the same question. Will the film be at Sundance? Will it be on HBO? Wouldn’t it lend itself to feature film treatment? Have we approached Steven Speilberg or — name your favorite Hollywood mogul or celebrity. But the PBS question is the one we get most frequently.

The simple answer is, of course we approached PBS, Independent Lens, POV, and so on, repeatedly, for funding and grants while working on the film; and of course we are still making efforts to bring the film to wider audiences. PBS, or some part of the public broadcasting system, might offer an opportunity to do that.

That, at least, is an answer that gets us past talking about the movie business and the business prospects of our film and back to the film itself and the experience of the film we all just shared.

I realize that the PBS question and others like it show appreciation and support for the film: it’s a way of wishing us success, or a way of saying that other people, friends, family, lots of people, millions of PBS viewers should see our film. They should, with any luck they will, and it’s good to hear others hope they do.

At the same time it’s worth asking why the PBS question comes up so often, and more importantly why the question seems odd and entirely out of place at a public gathering and in a public forum. Would a PBS broadcast give our film a seal of approval it lacks? Would an Oscar? Would Steven Speilberg? Maybe, but why should any of that matter right now? We’re not approaching Speilberg: we’re approaching you. What do you say? What do others in the room have to say? Why look elsewhere? Why wait for permission? What about the approval 1913 Massacre already received, just now, right here in this room? What about the experience we all just shared? Surely we haven’t exhausted that — and surely that counts for something, for much more.

We’re here together, right now, in this room. Let’s appreciate and own it, and make the most of the opportunity we have. Let’s forget about the Corporation for Public Broadcasting and every other kind of corporate gatekeeper. Let’s not await a word from our sponsor or even admit them into the room. Let’s not diminish the present moment and our experience — a public experience, an experience of being together, in public. Let’s not look for validation or value beyond this room: we have it all, right here.

You see where this is heading. There are lessons in all this about the power people and communities have and the power we surrender, every day and for no good reason, to outside authorities, influencers and exploiters — to powerful institutions, brand names, celebrities, big money. These gatherings in small towns, in classrooms, halls and clubs, in local theaters and public libraries may look modest, but they give us a chance to exercise our habit for democracy.

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People gather in the Community Room at the Peter White Library in Marquette for a screening of 1913 Massacre.

That’s why, in the end, television broadcast can’t hold a candle to public screenings like the ones we’ve had and will continue to have. Television is not just a poor substitute for community gatherings and public life. It pulls us away from those things and from each other. Watching television is a retreat from public gathering — a withdrawal into the privacy of one’s own. In this sense, “public television” is an oxymoron, a contradiction in terms.

There’s an aesthetic dimension to this as well. Our film, all film, plays best on a big screen, with a live audience. People laugh and cry together, some gasp, some cough (somebody always coughs), others sigh, shift in their seats. Applause brings everyone together at the end. (Booing and jeering would do the trick, too, but with 1913 Massacre we’ve so far been spared that experience.) These emotions, actions and reactions are an under-appreciated but essential part of the motion, or kinesis, of the cinematic experience. Films come alive — that’s the right word, alive — when people gather to see them; and when people share in public conversation what they’ve seen, they have a special chance to see each other, anew, on the other side of a new experience.

A woman in the audience in Houghton seemed to understand all this when she rose from her seat and exclaimed: “this film should be shown in every small town across the country!” If only we could make that happen.

On the Reference I Made the Other Day to ‘The Middle Ground’

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In a previous post, I said that asking creates a kind of “middle ground” where power – and everything else – is up for grabs. The concept of the middle ground is one I borrowed from a wonderful book, Richard White’s The Middle Ground: Indians, Empires, and Republics in the Great Lakes Region, 1650-1815. It was a passing reference, and it may have been a little careless, I now concede. Here I want to talk a little about the concept as White develops it, and try to connect it with what I had to say about the power of asking in my earlier post.

In White’s book, the middle ground is both a real place – the pays d’en haut or “Upper Country” of the Great Lakes Region – and a complex human terrain where the French and the Indians created “an elaborate network of economic, political, cultural and social ties to meet the demands of a particular historical situation.” For Europeans and Indians in the pays d’en haut, the middle ground described a place of mutual agreement, exchange and concession, to conduct everything from judicial proceedings to the regulation of sexual mores to the fur trade. White calls the middle ground “the place in between: in between cultures, peoples, and in between empires and the nonstate world of villages.”

In this place, Indians and Europeans staged a creative, cross-cultural, ad hoc exchange of words, forms, rituals and practices. This conversation accomplished what force or violence could not. Or, to put it more precisely, the middle ground emerged at the limits of coercive power and violence. The Europeans in the Upper Country “could neither dictate to the Indians nor ignore them,” White writes; and where they could not conquer, command or go it alone they had to yield, concede and share. That went both ways.

The middle ground depended on the inability of both sides to gain their ends through force. The middle ground grew according to the need of people to find a means, other than force, to gain the cooperation and consent of foreigners. To succeed, those who operated on the middle ground had, of necessity, to attempt to understand the world and the reasoning of others and to assimilate enough of that reasoning to put it to their own purposes.

Understanding and assimilating the world and the reasoning of others: another word for that is translation. And that’s how White sometimes describes it: the middle ground was a place made up of “creative, but often expedient misunderstandings” – fictions – that allowed the Indians and the Europeans first to see each other as human beings, then to construct “a common, mutually comprehensible world.” They forged a new language, new meaning and a new world together: “the older worlds of the Algonquians and of various Europeans overlapped, and their mixture created new systems of meaning and exchange.” Gift-giving, calumets, the covering of the dead – all these Algonquian rituals were brought into play, but it wasn’t simply a matter of carrying old forms across languages or cultures; in the middle ground, they were transformed into something new.

It would be a mistake to think that the French and the Indians somehow deliberately set out to create this middle ground after first encountering one another. The middle ground did not emerge because both sides had dedicated themselves to a spirit of cooperation – hardly! — or because some “magical affinity” (as White puts it) or mist of peace, love and understanding hung over the pays d’en haut in the 18th century. Short-lived, fragile, often unique and irreproducible adaptations and improvisations made up the middle ground; in White’s account, it emerges and disappears then re-emerges while the French are the primary European presence in the pays d’en haut. They abandon it from time to time, resorting to force and violence (as do the Algonquians). After the defeats of the Iroquois and the French in the Seven Years war, and the ascendency of the English as a power in the Upper Country, the middle ground is all but lost.

While some readers of The Middle Ground talk about the way White’s work unravels and disassembles the concept of the frontier, I find myself moving in an entirely different direction. I tend to think of pays d’en haut as White describes it in his book almost as an Atlantis, a world residing somewhere between myth and history; or, better, as a historical world created by mythmaking. It exercises a hold over my imagination as few places have — except, maybe, the city of Naples, which is, for me, also a place both real and imagined and to which I return in my mind over and over again.

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On the one hand, it’s easy to see why the French Upper Country has a hold on me: here the history of the Great Lakes region (which I discovered in the course of my work on 1913 Massacre) comes together with my interest in non-coercive forms of power. So it’s not surprising that I should have made a passing reference to White in my previous post about the power of asking; in fact, it’s much more surprising to me that I didn’t go on more about it, as I have here.

On the other hand, I recognize that this is all very problematic. White is a historian, describing as meticulously and carefully as he can the cultural politics of the Great Lakes region in the 18th century; I’m reader of history, and I tend to take what I read and start imagining things. I’m familiar with Philip J. DeLoria’s warnings against “oversimplification” of White’s work, and his worry about misreadings that make White’s middle ground “analytically portable” to the point where it becomes “simply a trope for human give and take.” But there is, there has to be, something portable in everything that one reads; the act of reading is itself a carrying back and forth, an exchange, an importing and exporting. It’s an act of give and take, as DeLoria himself wryly admits.

This is not just to say that White’s study of the middle ground echoes themes found in, say, James C. Scott’s work on the Upland peoples of Southeast Asia, or Pierre Clastres’ work on the Indians of South America, and that there’s some common trope that all these books describe. It might be to say that reading itself is an exercise of non-coercive power, an act that involves transference, translation, transmutation and creation of new meaning, a kind of dialogue between author and reader, the practicing historian and the images we make of history.

Not much new in that thought: for the moment, I simply want to offer that I seem to have carried my interests, imagination, intellectual habits and stories into White’s work, assimilated it, and now I seem to be putting it to my own purposes, as an illustration of what can be accomplished through the exercise of non-coercive power. It remains to be seen how that illustration will help advance or complicate my thinking on this point. But I guess it’s pretty clear that all this situates the act of reading in the territory of cultural production White describes in The Middle Ground.  I say that knowing full well that I am probably going to be accused of misreading.