Nora [after a short silence]. Isn’t there one thing that strikes you as strange in our sitting here like this?
Helmer. What is that?
Nora. We have been married now eight years. Does it not occur to you that this is the first time we two, you and I, husband and wife, have had a serious conversation?
Helmer. What do you mean by ‘serious’?
Nora. In all these eight years–longer than that–from the very beginning of our acquaintance, we have never exchanged a word on any serious subject.
Helmer. Was it likely that I would be continually and forever telling you about worries that you could not help me to bear?
Nora. I am not speaking about business matters. I say that we have never sat down in earnest together to try and get at the bottom of anything.
-Ibsen, A Doll’s House, Act 3

Preoccupations may be harder to escape than promises. I went to see a performance of A Doll’s House last night at the Harvey Theater, and this exchange between Nora and Torvald in the final act of Ibsen’s play reminded me of my pledge to say something more about serious conversations. (My first effort to make good on this pledge is here.).

There’s an important point here that I don’t want to overlook. A serious conversation requires something more than a serious subject to discuss. It may not have anything to do with the things we take seriously: business matters, for example. Well before we consider things, or the topic at hand, we have to sit down “seriously together” — alvor sammen, as Nora puts it to her husband Torvald in Ibsen’s Norwegian.

Of course, Torvald Helmer’s “honor” will not survive the serious conversation he and his wife have. The respect Nora ultimately demands —  the claim she makes on Torvald and on herself — will destroy their marriage and upset the bourgeois respectability of the Helmer household, or show it for the sham that it is. Torvald should have known: to sit down seriously together is always more about honoring the other than safeguarding personal honor. Or at least it’s a matter of honoring the joint commitment to have a serious conversation.

Torvald (Dominic Rowan) and Nora (Hattie Morahan) are about to have their first serious conversation in the BAM Harvey Theater production of Ibsen’s A Doll’s House.

I’m using “joint commitment” here in Margaret Gilbert’s sense — a commitment by two or more people as a body or plural subject, a we, to some act or activity: a walk or a conversation, for instance. For Gilbert, these joint commitments are commonplace associations by which we make up “the social world, the world of conversations, friendships, marriages, sports teams, discussion groups, religious orders, partisans, citizens and so on.”

In entering and living up to joint commitments, we share agency with others, and all parties are obligated — have a duty — to act in accordance with the commitment. “If our acting together, our conventions, and other central aspects of our lives together involve our jointly committing ourselves in one way or another, then our lives together are run through with obligations to one another and rights against each other, with the correlative standing to insist on various actions and rebuke for non-performance.”

To read the essays collected in Gilbert’s Joint Commitment (Oxford, 2013) is to appreciate above all how often and how effortlessly we enter into these joint commitments, just as a matter of course, and to be reminded that assumptions of trust, respect and mutual accountability infuse our everyday social experience.

These are all the issues that come to the surface when Torvald and Nora sit down seriously together, for the first time, to have their serious conversation. Whether we commit jointly to take a walk together (to use Gilbert’s favorite example) or have a conversation about work or a stifling marriage, what makes the activity serious is that we are on equal footing and mutually obligated to one another. Acknowledge that, honor it, and we have started to take one another seriously; deny it, or cover it up with patronizing gestures or power grabs, and we are probably heading for crisis or failure.